Showing posts with label self-promotion. Show all posts
Showing posts with label self-promotion. Show all posts

Saturday, February 11, 2012

The MZD now available. Sample included.

Wow it's been a busy few days.

The MZD: A novella of undead horror, is now available for purchase on Amazon . That's the cover, over there, on the right. I made it myself, and it's an okay cover, though I'm open to fan art for future editions. I had a surprise release party at Moe's bar, in Mokpo, South Korea, and I'm still a bit under the hangover. Thanks for coming, everybody!

So it's out now, ready for you, gentle reader. Please read and enjoy the book. If there are problems, like typos, or names that seem weird, or crazy breaks, please let me know. I proofed it, but these things slip through. I'll save up all the corrections and send everyone who sent them in a corrected edition when I make that happen, or a free copy of my next book, or a beer at Moe's, if you're in town. Plus, if this is well accepted, I promise to pay a copy editor for my next work, which will either be a saga of alternate realities, or a sensitive coming of age tale set in the golden glow of the early sixties, or maybe something with teenage dragon tamers who fall in love with mermaids and fight space commies. Yeee-hah!

Here's a sample of what you're getting in the MZD:

Joe's story:

Joe worked in one of the after-school academies called Hogwans. Koreans sent their kids to Hogwans after school for extra study. Some sent their kids to get ahead of the other kids, the rest sent them only so they could keep up. It was a vicious circle of achievement and keeping-up-withs that no one seemed interested in breaking, and it had earned for Korea one of the largest, richest economies in the world. To hear Joe tell it, he worked for one of the best Hogwans in Mokpo; one where the students were uniformly excellent and the owner was a vicious perfectionist; luckily Joe was one of the best teachers he knew, and the best compensated. Whether it was true or not no one knew - no one had seen Joe teach. What it meant for Joe was he went to work at three in the afternoon, and got out at ten at night, when he went straight to the bar, usually Capp’s, for a few drinks, maybe poker on Wednesdays, before heading home to bed. It was a cycle he was happy to repeat as often as necessary until he’d built up a nice nest egg for whatever came next. 

When he’d showed up at work today, everything had seemed normal. His boss’s car, a black Samsung, was parked squarely in his reserved spot, and kids were milling about on the sidewalk. But his boss wasn’t in the office, nor was he in the classroom. This was strange, because the boss was a workaholic who’d lived in Boston for eight years, which not only left him with a strange accent when he spoke English (How’s da weada? for instance), but an undying love for the Red Sox. He still took five shifts of teaching a day himself, hadn’t missed a day of work in the entire eighteen months Joe had been there. He was a machine for teaching, and a prickly stickler for details: he’d had a running argument with the janitor over where to store cleaning material, and how often the bathroom should be cleaned. Joe had more than once seen them standing toe-to-toe, red-faced and spitting, gesturing wildly at bottles of cleanser stacked on the shelves next to the supply closet tucked under the stairs behind the lobby. 

Lots of foreigners came and went, they couldn’t stand the boss. But Joe was an Army man, and his time there had been vast, and merciless; the Army wanted you attuned to detail, and  unquestioning in your execution. He’d done a tour in Iraq - an even more vast and merciless place than basic training. There in the sun, sitting and waiting for combat that never arrived, the will to serve in the Army was sapped right out of him, and when it came time to get out, he got out. Compared to the Army, Korea and the Principal’s whims were like a kiss on the cheek from your dotty old aunt. Condescending, but a degradation nowhere near real hardship.

But even with the boss gone, the kids were there. So Joe settled in to teach. The kids, mostly cut from the sheep-mold of middle school kids caught in the grind of the Korean achievement machine, showed up and sat down, and Joe ran them through the basics: the rules of how to make the present progressive, a game of pass the ball for amusement, then a few more drills. The second class had two missing students, the next was half full, and for the seven o’clock class he waited ten minutes past the starting time, but no students arrived.

Joe, without a Principal, didn’t quite know what to do. He supposed he should just wait, but after four straight hours, he also had to pee, so with the thinking that his pissing would give the kids a few more minutes to show, he went downstairs to the lavatory. He walked into the bathroom and pulled at a door handle for one of the squat toilets. All of the bathrooms here were squatting toilets, small porcelain troughs set flush with the ceramic tiles. He pulled at the door, but it didn’t open, which was strange, as the latches only worked from the inside, and it seemed dark and empty in there. He didn’t know how it would be locked from the inside and still be empty. Curious, he gave it another pull. He went down to one knee and peered underneath, but it was dark, he could see nothing. Not that he wanted, or needed, the squatter. So whatever. He turned to use the urinal, had a hand on his fly, when he heard a shuffling sound from behind the closed door. A definite rustling sound. The sound of air escaping lungs. Joe stopped, but he didn’t hear it again. Then, the door rattled. It rattled, and he heard a grunt like air escaping, and the door shook again. 

He didn’t ask who it was - he didn’t know the Korean, wouldn’t have understood the response, and the idea of language seemed completely absent anyway; he was suddenly terrified. He looked at the gap below the door and saw the toes of one slippered foot and another in a single stocking, and then he looked up to the top of the door and saw a hand curling over its edge, its fingers stained purple and bleeding from the cuticles and grasping to giving the door a great horrific shake, and then he left.

He ran down the hall to the stairs and around to the main hall where he saw the janitor moving away from him and dragging something that looked very heavy. It looked to be something largish, something trailing liquid, something wearing shoes.

“Hey,” said Joe, but the janitor didn’t turn around. He went into the supply closet, pulling the thing in with him. Surprisingly, it was dark: Joe hadn’t even noticed the sun going down. It was dark and the floor was wet, but Joe needed to let the janitor know someone was trapped in the bathroom. He needed to find out what he could, because Joe, the good teacher, the former Army communications expert, didn’t like loose ends. He was Army: he wanted to pass the buck up the ranks and go home. So he walked down the hall, being careful not to slip on the water. Then he looked into the supply closet and turned on the light. 

***

He didn’t want to say any more, there in Capp’s. “I think now I must be remembering it wrong,” he said. “You know how memories play tricks on you. But no. I’m pretty sure it really was... But I don’t really know what it was. All I known is what I saw. And I didn’t like it.” 

Finally Felix said, “What did it look like, Joe?” 

He paused, a sick smile that wasn’t of amusement on his face, then he said, “It wasn’t even water on the floor. It was red; it was blood everywhere. And it looked like the janitor was eating the Principal.”


________

The MZD: enjoy it today!

Monday, February 6, 2012

The MZD: FAQ continued


Since last I posted, there have been several more questions for me to answer: Here they are.

Q: So, what's The MZD about?
A: Okay, it's about this: Legions of walking undead are roaming the streets of South Jeolla province. All westerners know things change fast in South Korea, but a contagion of murderous horror is a bit too much. Now they’re running for their lives, and looking for help anywhere they can get it. Can the US Army help? Does a rogue filmmaker hold the secret to stop the destruction? Read now to discover the secret horror of... The MZD.

Q: How long did it take you to write?
A: I started in October, during 'desk-warming' time at school. I banged out a page or two a day till I had a hundred pages, then stopped. Then a re-wrote the whole thing a couple times.

Q: Can I get a free copy?
A: Sure. If you promise to do a (hopefully positive) Goodreads or Amazon review, I can send you a copy in kindle, nook, ebook, or .pdf format. Just leave a comment with your email address and I'll get one out to you. *quantities limited.

Q: And, what does The MZD stand for?
A: Well, that's a good question. I knew when I started, but kinda forgot as I went on, and now I just think it's kind of cool. If you think you know, post it in the comments.

Get your copy on Amazon

Sunday, January 29, 2012

The MZD: a novel of undead horror

So my latest project is a bit of a diversion from my usual navel-gazing, 'literary' (pretentious?) type writing. I've gone genre, mixing my formerly mild obsession with zombies and my current job of teaching English in Korea. This means (can you guess?) I've written a novella of zombie horror, set in South Korea.

It's called The MZD, and it's pretty much done - just a little tweaking, then a conversion to ePub format, then it's ready for you, my adoring reader. So. I can sense the questions mounting. Here, then, is a pre-emptive FAQ:

Q: A zombie book?
A: Yup. zombies.

Q: Aren't there like, hundreds of zombie novels out there already?
A: I'd say there are actually thousands. The market's pretty saturated with them right now.

Q: Is that a problem?
A: We'll see.

Q: Okay, so, I'm a zombie fan, myself. But I'm pretty discriminating. Are they fast zombies or slow? Is it a virus or space dust that turns people into zombies? Is is a post-apocalyptic wasteland of cannibals and madmen? Are there gratuitous kills and bloody mayhem?
A: It's not post-apocalypse, but it's about the outbreak itself, and people in the early stages of dealing with society falling apart. The zombies themselves are pretty traditional, except for the means of re-animation - that's where it's a little different. I won't say any more - part of the fun is reading it and seeing where it diverges from other z-lit out there.

Q: What format will it be released in? How do I get it?
A: It will be an eBook available on Amazon for sure, and probably bn.com, and other outlets like Smashwords. I will also make it available as a simple pdf for people who don't have e-readers as well. Since it's relatively short (about 40,000 words/100 pages), it'll probably cost around 3 bucks.

Q: When can I get my copy?
A: By mid February, 2012.

Q: Any excerpts? A synopsis?
A: Coming soon. Be patient.

Q: What's your next project? Teenage vampires?
A: Sure, why not? But they'll be real vampires, ugly, and disgusting, with zits and bad taste in music.

Q: Are you worried that this work compromises the value of your more literary work?
A: I don't understand the question. Do you want to buy a zombie book or not?

Q: Where else can I follow your progress?
A: The MZD has a facebook page here. Go and enjoy. There are reviews of other zombie works, updates on future projects, etc. Plus, I tweet.

That's all for now. 

Post more questions in the comments below, and I'll get to them when I can.

Thursday, July 22, 2010

Self-promotion

I wrote a poem on Northography, Britt Fleming's on-line workshop/funhouse. Go take a look at it. Also please read all the other fine poets on the site, and go make poetry yourself.


http://northography.com/responses.php?stimulus_id=193#3435

Thursday, April 29, 2010

Spring Picture

One more picture of Spring.

In other news, I have a poem up on Northography; you should scroll up to see the stimulus, then read the poem, or do it the other way around. Up to you.

A heartfelt thanks to Britt for bringing Northography back after an extended hiatus. Many happy poems, Britt.

Tuesday, March 9, 2010

Publication

A story of mine, First Avenue, has just been put on-line by the good folks at Lit Up Magazine. You can read the story at this link. This story is a self-standing excerpt from a novel I wrote called The Acronym. It's an epic drama that follows two families across several generations, and their entanglement with anarchists, labor movements, shadow corporations, and a semi-sentient computer virus that may or may not want to take over the Internet. Enjoy!

Monday, February 1, 2010

Submitting again

Last weekend I got the whim to send my novel, HempAmerika.com, out to agents again. I'd found one who seemed nice enough, was listed as accepting submissions, and had a clean, tasteful website. She wanted a cover letter and a sample chapter. So I pulled up the novel and took a look at the opening paragraph and said to myself, "Is this the best I can do? Really?" It was sluggish and torpid, and I could see why no one wanted to represent me. It was really kind of depressing, but you can't just be depressed and give up, because then where would you be?

So I thought I'd polish it up and send it back out. I'd gather all the skills and life experience I'd gained in the eighteen months since I'd last worked on my novel. Shouldn't take long. I'd just concentrate for a few minutes, come up with a few genius phrases, and make a sparkling jewel of that opening, something to rival The Great Gatsby, or, heck, Moby Dick, for opening paragraphs. Something that would be quoted for decades to come...

Three days later, I'd gotten something acceptable together. I'd added sentences and taken them out. I'd paged through thesauruses, had a few stiff drinks, neglected the dog. Then, finally, with something different anyway, I gave up again. Is it better? Oh, sure, why not.

I repeated this process with the cover letter. I took the two cover letters I'd used before. I decided to take the strongest parts of each and fuse them together, like you do with two bars of soap. I melded and sculpted, made verbs agree with subject, and parallelized dependent clauses. I split hairs over word meanings, and compared adjectives and if it was a close call, I flipped a mental quarter. If I was a genius, then the two choices were equally brilliant. If I were an idiot, same deal, so no need to stress. Finally, when all I was doing was fiddling with commas, I figured I was done.

I composed the email Tuesday morning, made a pdf of the opening chapter, and sent it off to the agent, then remembered I have a day job. So I fed the dog, boxed my lunch, put on a coat and headed out to the bus stop. I checked my Blackberry, and there it was: a rejection from the agent. Four days of work, and fifteen minutes to reject. I do not take it personally. I have since sent it to two other agents, who will most likely not even have the courtesy to send a rejection. Again, nothing personal.

Just for fun, here are the paragraphs:

Paragraph A:
It was in 1998, six months after I moved back to Minneapolis, that Great Uncle Nick passed away. His memorial service was held at a funeral parlor not far from my Uptown apartment, in a section of city encased in a fast-melting shell of ice, the glittering aftermath of a late-season storm. My parents insisted on driving me home, and then on coming up for a visit. They sat silently on their own discarded furniture as I handed them herbal tea from a supply they’d brought over themselves a few weeks earlier, and when I leaned against the kitchen door the silence continued.


Paragraph 1:
In the Spring of 1998, six months after I moved back to Minneapolis, Great Uncle Nick passed away. The night before his memorial service, a late-season storm encased the city in a shell of ice that by morning had transformed my neighborhood into a glimmering imitation of itself. Great gnarled oaks had been smoothed into enlarged approximations of oak trees, and entire buildings wore facades of ice that shimmered in the morning sun, blinding me as I slipped over the frozen sidewalks of Uptown to the funeral parlor where Nick was to be sent off to his final rest. Conditions were still treacherous when the service ended, so my parents insisted on driving me home, and then on coming up for a visit. They sat silently on my sofa, which had been in their basement a few months earlier, as I boiled up and handed out some herbal tea from a supply they’d brought over themselves as a housewarming gift, and when I leaned against the kitchen door the silence continued.